Since last fall, I've been working with my long time collaborator and dear friend, Lucy Gillespie, on her new series Unicornland. We filmed this March and are currently in post. What started as a beautiful small idea turned into an expansive project that we hope has some real impact. Our actors, creatives, and crew did incredible work to bring a high quality series to your living rooms this fall. But until then, you can get a little taste of what is to come through Lucy's own beautiful mind in this interview.
I am honored to be one of the arts participating in this year's Oregon Performance Lab in Eugene, OR. My play Beer, will be developed during my residency under the guidance of Broadway director Wilson Milam (Lieutenant of Inishmore). There will be a one night presentation of our work on September 2nd.
Other participating artists include Crystal Skillman, Lauren Pritchard, Willow Norton, and my old collaborator, producer Allison Bressi. I couldn't be happier to be in such fantastic company.
It's a good feeling when you get a little validation. Especially when it comes from the New York Times. It's really been a pleasure to have worked with such an amazing team on this show and with my good friends at the Ensemble Studio Theatre. I couldn't be happy to be part of such an amazing group of talented people.
The Ensemble Studio Theatre Marathon of One-Act Plays, the original festival of its kind, returns for its 35th incarnation Wednesday, May 13, at 7:00pm at the Ensemble Studio Theatre, 549 West 52nd Street.
Beginning with 1,078 submissions for this year's Marathon, Artistic Director William Carden selected 14 plays by 15 playwrights. The plays will be presented in three separate evenings from May 13 through June 27.
Mr. Carden says about this year's selections: "From a science lab in Siberia to the red-light district in 18th century Japan to a taxi in Manhattan to a police station in Kenya, the 14 plays in this year's Marathon take our audience on a series of surprising adventures. This diverse and eclectic mix of plays--including a musical, a dance piece, and a nod to Kabuki--combines traditional and experimental forms in ways that are moving, entertaining, challenging, and fun. A healthy mix of familiar veterans, newly recognized writers, and brand new voices join us to celebrate our 35th Marathon."
Series B begins previews May 28, opens June 1 (runs through June 21):
John, Who's Here From Cambridge by Martyna Majok; directed by Nick Leavens
Overworked, under-qualified, and broke, Jess takes on yet another job to make ends meet as a personal caregiver for a graduate student named John. John has cerebral palsy. John is beautiful. And John is here from Cambridge.
Martyna Majok is the 2015-2016 PoNY Fellow at the Lark Play Development Center. Other awards include David Calicchio Emerging American Playwright Prize, New York Theatre Workshop's 2050 Fellowship, Global Age Project Prize, NNPN/Smith Prize for Political Playwriting, Jane Chambers Student Feminist Playwriting Prize, Merage Fellowship for the American Dream. She is a member of Youngblood.
Julia Cho's plays include The Language Archive (Susan Smith Blackburn Award), The Piano Teacher, Durango, The Winchester House, BFE, The Architecture of Loss and 99 Histories. Honors include the NTC's Barrie Stavis Award, the Claire Tow Award for Emerging Artists, and the Weissberger Award for Playwriting. She has been the recipient of a New York Foundation for The Arts grant and a Van Lier Fellowship from New York Theatre Workshop. She was also a Lila Acheson Wallace Playwriting Fellow at The Juilliard School and a resident at New Dramatists.
Caridad Svich received the 2012 OBIE Award for Lifetime Achievement, a 2012 Edgerton Foundation New Play Award, NNPN Continued Life Fund rolling world premiere for Guapa, and the 2011 American Theatre Critics Association Primus Prize for her play The House of the Spirits, based on Isabel Allende's novel. She has won the National Latino Playwriting Award twice, and has been short-listed for the PEN Award in Drama four times.
We Can All Agree To Pretend This Never Happened by Emma Goidel; director by Abigail Zealey Bess
When two gung-ho researchers decide to fake results in their Siberian lab, a series of misunderstandings take over the lives of the whole research team.
Emma Goidel is a Playwrights Realm Writing Fellow, member of the Ars Nova Play Group, and Core Playwright at InterAct Theatre Company. She is a founding member of the Philadelphia playwrights producing collective, Orbiter 3. Her plays include Local Girls, The Gap and A Knee That Can Bend. Fellowships include a Core Apprenticeship at the Playwrights' Center in Minneapolis and the Dasha Epstein Playwriting Fellowship at New York Stage & Film/Powerhouse Theater.
Series B Performance Schedule:
Previews May 28 at 7:00pm, Opens June 3
Evening Performances at 7:00pm are May 28, May 29, May 30, May 31,June 3, June 5, June 7, June 14, June 17, June 19 and June 21
Matinee Performances at 2:00pm are May 31 and June 6
Closes June 21
As we spend our first few days in Baltimore, an article about Anna Deavere Smith and the school to prison pipeline comes out. It's an incredible project and worth you taking the time to give this article a read. See you in Baltimore.
My wonderful client, Osh Ghanimah, spoke at TEDxBroadway. Broadway for All is a truly incredible group founded by a guy with a heart of gold and a true vision. Looking forward to the continues success of Broadway for All's programs.
Working with Playwright/Actress Anna Deavere Smith has been absolutely incredible. Last week I was lucky enough to see her speak at the National Endowment for the Humanities Jefferson Lecture. It's totally worth the watch. Take ten minutes and maybe learn a thing or two. Find the video of the live stream here.
|the claque| reads is an on-going project from |the claque|, a series of developmental readings. Every month, your favorite arts and performance conglomerate will be presenting the works of burgeoning writers who, in the spirit of our mission, are bringing us innovative and engaging works to share with our audience, allowing us to strengthen our ever-growing artistic community.
written by Tommy Smith
directed by Nick Leavens*
Japan, 2005. In the nascent phases of social media, an online stranger convinces a handsome actor that he is spiritually connected to another dimension to a mysterious woman, causing the actor's real life to disintegrate. Based on a true story.
with Bobby Foley, Ana Grosse, & Alex Kushi-Willis
This Sunday I'll be directing in the E.S.T. Youngblood Brunch written by the incredible Mariah MacCarthy. The deets:
EVERY BRUNCH YOU TAKE
We all have obsessions. Perhaps a lover. Perhaps a nemesis. Perhaps watching short plays once a month while eating breakfast food comfortably late in the day.
Join Youngblood next Sunday and we can share our obsessions together.
Along with some booze and pancakes.
Sunday, February 1st, 2015
Bacon, pancakes eggs and (young)bloody marys
start at 12:30
New Plays by Paul Cameron Hardy, Jahna Ferron-Smith, Mariah MacCarthy, Abby Rosebrock and Emily Chadick Weiss